Thursday, September 26, 2013

Tumblr Feminists: So What?

This is a re-worked version of a post I wrote last month. If you read that one, don't bother with this one. I don't like editing posts after people have already left comments, so instead of just editing that one, on the advice of a friend, I'm putting this one out as the version of record.

Removed: a bunch of stuff about gendered spaces, which I blundered through last year, and, on the advice of said friend, which I'm going to leave alone until I have the tools and background to write on it more credibly. To sum up: I got it wrong before, perhaps got it less wrong with that last post, and I'm still working on getting it right.


Last week I came across a new term in my internettings: "Tumblr Feminist" -- this is a very obnoxious description of what that is (and the phrase's possible origin). This is the search of "tumblr feminist" on Reddit, where I came across the term. And the reddit thread "Explain Like I'm 5 What a Tumblr Feminist is" has this as the "top" (most upvotes) comment - a pretty good at-length description - and for its "best" comment (highest ratio of upvotes), a concise one:
"The perception is that tumblr users are passionate but not very informed on gender issues, so the term is used derogatively."

Tumblr feminist probably fits in a category with pejoratives like "armchair quarterback" and "slacktivist" and "Randroid"... but the term, strikes me as mean-spirited - more than those others.

To be clear now, not every feminist on tumblr is a "tumblr feminist," just like not everybody linking events and causes on facebook are slacktivists (some back the "likes" up with action). The term seems reserved for the bottom rung or two of the hierarchy of disagreement (source), and not writers and thinkers who ply in the top section of the pyramid, those who've done their background reading, invested time and thought into making a meaningful contribution. But then, the term is not clearly defined, which makes it more useful for name-calling -- moving goalposts is an easy way to avoid taking responsibility for making generalizations.



The term "tumblr feminist" set off alarms right from the start. Google tricks (a keyword timeline search mostly) confirmed my suspicion: "tumblr feminist" was probably coined in that obnoxious youtube clip above: the first time that exact word combination appears is the month he published it. Subsequent mentions up until last month, when I suddenly came across it four or five independent times, had that same tone: contemptuous, and originating almost entirely in men's rights-type forums. It ventured outside of those realms mostly in response to comments or potshots from within it.

Since the start, the term has been used as a "straw man" (straw person) to whom people have ascribed the views they want to argue against -- basically, the Men's Rights folks have been using "tumblr feminist" the same way Fox News uses "the liberal media" or "the gay agenda" as a boogeyman. And that'd be the Men's Rights folks who use that flag to mostly act like sexist pricks, not the group that are said to exist, who have done all the same gender studies reading as feminists have, but are picking up the stories and issues on the male end of the gender spectrum. (As a side note, that latter group might do well to find a different name for themselves that doesn't confuse them with the former group. Perhaps one with enough jargon, or long enough, that online misogynists find it cumbersome to co-opt.)

In the last month though, people outside of Men's Rights forums have been using it in name-calling exchanges, in "am I really a TF?" "why ____ is a TF" or "I'm not a TF because" type blog posts. It's gained a little traction. Personally, I don't like that: labels are useful for introspection -- asking myself "is there mansplaining in this blog post/comment? Am I gaslighting?" But this label has been weaponized from the start, and using labels as weapons leads to defensiveness (follow-up with gaslighting), or anger (follow-up with tone policing) to derail conversations.



Along with its troublesome origins, my other problem with the term is this:

Every topic on the internet draws responses ranging from knee-jerk reactions to clear, informed reasoning, and discussion on every topic features too much knee-jerk and not enough clear, informed reasoning. Every single one.

Naturally, the same is true of women's issues. Writing that lacks clarity, rigor, or perspective? That's about 70% of the entire internet, isn't it? (That statistic is made-up. It might be more.) "Tumblr feminists" may or may not be an actual thing, but I know for sure I haven't heard a satisfying reason why they should be singled out over everybody else also using the internet less like this...

(Plato and Aristotle, by Raphael)



and more like this...
(Statler and Waldorf, by the Muppets)

or this.

Everybody's using the internet this way. Lots and lots and lots of men do. Every discourse has a few worthwhile voices and a lot of noise and people simply out of their depth. So if the group that becomes a target for derision is a subset of feminist writers (though if the term becomes common, wanna bet it remains reserved only for those feminist writers it originally applied to?) and they're simply acting the way most people (most men included) on the internet act, it's time for a motivation check. Does the simple existence of the term automatically indicate feminists, or women online in general, are singled out for persecution? Not all by itself, though given the term's origin (first yellow flag) and patterns of sexism on the internet (Food for thought.  --Patterns which trace right back to the origins of the internet, when the photo used to test compression algorithms was part of a playboy centerfold) it'd be worth looking into. A cursory look around suggests that we might be onto something.

To tie this to Korea: it's like the __ __ 녀 or "ladygate" videos (more about Korea's online misogyny at Koreabang and Yonhap News): after a while, it stops seeming like a coincidence that every viral video about shameful public behavior features a woman behaving unacceptably, and we have to ask what's behind the singling out of women for shaming. You think men never fight, smoke, or act out drunk on subway cars? (You've never been on line 1, have you?) Yet it's the women doing the above whose videos go viral. Weeeird. Or maybe not.

I remember my first blog posts about Korea culture... they're painful to read, and full of mistakes and signs that I was way out of my depth, talking about stuff I didn't really know much about. My enthusiasm far outstripped my understanding. I got better: I learned more, and my comments got more moderate and thoughtful. I'm glad I didn't get too badly bullied, shamed, or disparaged, back there during my starting point... that would've sucked. If I had been using my blog for emotional catharsis, I hope nobody would have mistaken my writing for attempts at elevated discourse: that mismatch of expectations leads to misunderstandings, and people forget that not everybody who writes on the internet is actually doing it for an audience. I hope that as so-called "Tumblr feminists" use the internet to sort through, hash out, and ripen their ideas about gender issues, or just to vent pent-up emotions that their everyday life doesn't let them, their readers are as patient as mine were, or are discreet enough to look the other way, rather than singling them out for bullying and disparagement, the way a phrase like "Tumblr feminist" does. The internet is big enough, and there are enough people writing thoughtful, well-reasoned things about gender issues, that we don't have to seek out the "tumblr feminists" to pick on them, do we?

No. No. Nope. No, we don't.

Tuesday, July 16, 2013

Flash Mob? For Whom?

You should read some very important views on some very important topics. I'm No Picasso has summed up what's wrong with the video where two very nasty boys harass a woman, and the way people have been talking about it, pretty well. And everybody should read The Korean's takedown of "The Cockpit Culture Argument" (based on Malcolm Gladwell's chapter of "Outliers" AKA the only thing a lot of people know about Korea, that can be made into a talking point right now), regarding the Asiana crash in San Francisco.

I may have something to say here about culturalism, once I've processed some of the stuff from one of the classes I took this semester. But today... flash mobs. Because why not.

This is a flash mob. This is one of the first flash mobs. The NYC Central Station "Freeze"



I've always liked flash mobs. It seems like a cool thing to have happen, to break the monotony of your day. I love imagining the people who encountered it, going home and telling the story. "And then suddenly, like 300 people in street clothing were dancing along to The Sound of Music in the subway station!

Improv Everywhere did some of the early ones. Another I liked:



Here are probably the two best flash mob videos.
Beethoven's 9th in Spain:


Sound of Music, in an Antwerp subway station:



(The Hallelujah Chorus is a pretty famous one, too)

On Reddit today, I saw a link to a "Flash Mob" where a group of classical instrumentalists played a rendition of "Arirang," and then the Korean national anthem, in a public square in insadong, one of the popular streets in Seoul for tourists to vist, and one of the first four places your new Korean friend will take you if you just got off the airplane.

It was alright. Here it is. It's a great tune.

But I'm having trouble calling it a flash mob. Wikipedia makes a distinction between a "flash mob" and a "smart mob." Here's a working definition of a flash mob I've written, based on the entirely subjective metric of which videos I saw on teh internetz and though "this is described as a flash mob, and it's awesome."

A flash mob is...
1. an organized group action
2. in a public place
3. where ordinary people do something surprising and a little extraordinary
4. that has been planned and maybe coordinated beforehand
5. and then everybody goes about their day.

Bonus points for:
1. People not involved in planning it can join in (watch the Antwerp DoReMi again-  people have jumped in without knowing where to step next)
2. including people under age 13 or above age 45
3. a video shorter than 4, preferably 3 minutes, unless it's friggin' awesome!
4. that "what on earth is going on?"/"wait a minute... I live in a musical?" feeling at the beginning, as apparently random people somehow seem to know the steps, or pull musical instruments out of their jackets.

Negative points for:
1. the number of people involved who appear to be professional performers. Also, music stands.
2. that general stink of being staged by PR people
3. any agenda other than "let's give the people in [this place] something to talk about when they get home from work" ... and the more obvious that agenda is, the more points you lose.
4. having a space cleared out before it starts. Feels like it was planned, and that's anathema for that "what on earth is going on?" feeling I mentioned.
5. Being this. Thanks for ruining flash mobs forever, FOX.

So... flash mobs now:



Wikipedia calls agenda-driven flash mob-like activities a "smart mob" -- if you're too clearly trying to sell me something, if your political demonstration involves apparent passers-by doing a choreographed dance or a freeze (while holding signs and slogans), or if they're clearly professional dancers (again, about the music stands), or if it was run by any business, but especially one larger than a community theater... sorry, kids. I'm not sold, and you're a smart mob, not a flash mob.

I wanted to make rule number 3 there hard and fast... no selling shit... but googling around revealed that the Antwerp Do Re Mi, and the Spanish Beethoven were both sponsored too. With a light hand, in the Antwerp case, but the Beethoven video does kinda finish with a corporate logo... so I realize that this "flash mob" thing has a fuzzier definition than I'd like. But here go those criteria, for the "This Is Arirang" video:

The "This Is Arirang" project was planned by a bunch of Korean student organizations (listed at the end.) According to the video description, "This is Arirang Project was designed with the aim to let foreigners know the Korean folk song, 'Arirang' and the 'Korean national anthem'"

Nothing wrong with that at first pass. Run by students is better than "run by a mobile company"(as slick as the T-mobile liverpool flash mob was)... though I can't help wonder why a bunch of university students care so much that foreigners know about their folk songs. Somehow I would have liked the video more if its purpose were to celebrate a beautiful song (cf Spain's Beethoven, the possible inspiration for it), rather than being to perform a beautiful song for "foreigners." Who cares if foreigners know/like arirang? The way "foreigners" are constructed in Korean promotional efforts is often problematic for various reasons, and the fact Korean culture becomes constructed as a performance of "Korea" for foreigners, bothers me sometimes, when Koreans should be doing the things Koreans do because it's meaningful to them, because it's beautiful, or fun, or connects them to who they believe they are in the world. There's a big difference between that hottie who dresses up because looking nice is nice, and the one who does it to fish for compliments.

Because, to steal from an old riddle, if the Arirang played, and no foreigner heard it, would it still be a beautiful song?

Yes. Yes it would. And it doesn't need foreigners to say "ooh! What a beautiful melody!" before Koreans can celebrate it, love it, and sing it. For their OWN damn benefit.

I was going to do a part of this blog post where I complained that flash mobs never really caught on in Korea -- even though Korea would seem like the perfect breeding ground for an absolute flash mob craze:
a culture of people who like doing things in groups (check)
everyone has a cellphone camera (check)
everybody already knows a set of dance moves and steps because of popular kpop songs (check)
one of the world's most wired populations (check)
a youth population prone to grab onto fads and run them for all they're worth, if so inclined (check)

I was going to complain that given the above, there are surprisingly few flash mobs in Korea.

Except I would have been wrong.

Now, many of these fail my own nitpicky criteria for a flash mob, because they're for a poltical cause,  promoting a Kpop single, they're not in a public space, or they're too obviously staged. But then again... some of my favorite flash mobs fail one or more of those criteria, so I've got to be more forgiving.

The dokdo shuffle in Busan is unaccompanied by English or notKorean text, limiting its effectiveness in swaying world opinion... but whatever (and the dokdo song is awful -- it sounds like one of those songs that politicians blast from their flatbed trucks during election season, or a ghastly revolutionary chant repurposed). However, the airport flashmob is clearly in the true spirit of flash mobs - and I like that it ends with "Sunny" -- because that song has become a cultural touchstone in Korea ('cause of this, great, movie). Shilling for Kpop happens. Meanwhile, the WonderGirls video "Like This" has the feeling of a flash mob, and it worked in this case. This is probably my favorite flash mob that I've found so far.

So... Flash mobs happen in Korea. And they're not all lame (though some are) and I don't know WHAT to make of this.

As for flash mobs in the Korean news: well, they're popular enough to have been made illegal. Hankyoreh on that. And must be registered in advance. Wouldn't have happened if they'd been used for fun instead of for statements. But then again... I'll never begrudge someone giving a damn about the political situation in their country. Even if it means no Do Re Me song when I walk by Chunggyecheon.

Tuesday, June 04, 2013

Survey 2: Survey for Multi-ethnic Koreans in Korea

Hi everyone. As part of my ongoing work studying and writing about multiculturalism in Korea, I've created a pair of surveys. The data collected is anonymous, and it will be used in future work about multiculturalism in Korea.

Right now, I'm focusing on "multi-racial" or "multi-ethnic" Koreans -- people living in Korea who have one, but not two, Korean parents. I've looked before, and will be looking at other groups of various types of Korean heritage, at different times.

This is a survey for multi-ethnic people.
Do you have one parent who is Korean, but not two?
Do you live in Korea?
(Or did you live in Korea for a significant amount of time?)

Please take ten minutes to fill out this survey: it'll help me a lot. Or take 20 minutes and answer the optional questions, too.

If you have friends who are multi-ethnic Koreans who do, or have, lived in Korea, please send this link on to them as well. (Or if the embedded form below isn't working... click on this link) https://docs.google.com/forms/d/1ZPKhckiFWboZ4e_6JsCY_MhCtEssokCZbpqbcX9W2Ys/viewform


Survey 1: Parents of Multicultural Korean Children

Hi everyone. As part of my ongoing work studying and writing about multiculturalism in Korea, I've created a pair of surveys. The data collected is anonymous, and it will be used in future work about multiculturalism in Korea.

Right now, I'm focusing on "multi-racial" or "multi-ethnic" Koreans -- people living in Korea who have one Korean parent, and one non-Korean parent. I've looked before, and will be looking at other groups of various types of Korean heritage, at different times.

This is a survey for the parents of multicultural children.
Do you have a kid?
Was one parent Korean, but not both?
Do you live in Korea? (Or did you live in Korea for a significant amount of time?)
Please take ten minutes to fill out this survey: it'll help me a lot.

All survey data is anonymous.

If you have friends who are parents of a multi-ethnic Korean kid, please send this link on to them as well. (Or if the embedded form below isn't working... click on this link)
https://docs.google.com/forms/d/1OdSK4auIhKQUielCUicnD14CQh65AiLoMe18cMsaQEg/viewform



Friday, May 31, 2013

Your daily (monthly) cute.

So here are two very cute videos of Babyseyo I made this month. Because I've been writing papers and things and not writing blog posts.

Yes. I refer to myself in the third person when I talk to Babyseyo. It's because I want him to grow up to be a professional wrestler.


You do not have to think my kid is as cute or brilliant as I do... and to help you keep your judgment friendly, I've made both videos less than two minutes.

His favorite song is Gangnam Style. When he wants me to play a video on my computer, he does the horse dance, which is as much "baby sign" as we've done.


I've been studying North Korea, and have some interesting things to write about that.

I'm also writing about multiracial/multi-ethnic Korean-ness this semester, and you'll see something about that soon - perhaps before today is through.

Love you all my lovely readers,
Rob