One last thought on blackface... for now

[Update: article on AllKpop.com by Tiger JK - a member of Drunken Tiger - is REALLY worth reading]

After a long twitter discussion with someone who failed to see the problem with the blackface stuff, other than that it was tasteless and unfunny... two more thoughts.

1. YES. Fighting racist, insulting or degrading depictions of other cultures in Korean media is a worthwhile battle to fight, for this reason:

The things that are acceptable to show on TV are the things my kid grows up watching. The things that are put on TV, and the public discussions around what's OK, and why this was and that other thing wasn't OK to put on TV when kids can see it: these things set the norms for all media consumers in that society, for what's OK to talk about, to laugh at, and what we should be offended at. Those conversations about TV shows become conversations about what Uncle Vernon, or Uncle Chul-soo is OK to joke about and talk about around the dinner table as well, and helps kids decide Uncle Vernon is either a guy with strong opinions, or just a racist ass: media reflects, at the same time as it dictates, what the norms and taboos are for a society.

And after all content and jokes that degrade a particular group, or treat a group as inferior, are either removed from TV, or framed within public discussions about how it's not OK to degrade that group... after the media has moved beyond denigrating that group, and the dinner-table conversation reflects those norms, there's finally a chance kids in that media's society can grow up with a mindframe that is 100% non-discriminatory towards that group.

And that's the goal.

My twitter pal asked me, "Shouldn't you be fighting real battles about workplace discrimination, banking and working rights, to root out racism?" And I say the battle for a non-racist media and the battle for non-discriminatory treatment are one and the same. Because if a person has been raised in a media that respects all people groups (not ignores the fact there are people-groups, but acknowledges and respects the differences), you say "Well shouldn't a brown dude be able to get an iPhone in Korea?" and he'll go "Well, duh!" rather than throwing up a wall of cultural exceptionalist/ethnic stereotype defenses.

2. It's a fair point that not every nation's media is the same. Given the robust free speech in Denmark, and the robust public discussions about what's OK and not OK, I understand why people didn't think it was right to have a Fatwa declared against the muhammad cartoonist - because in that country, free speech is pretty well protected, and everybody gets their turn to be mocked, but everybody gets a platform to shout "I don't like what you said about me!"

The state of free speech in Korea isn't quite that strong: it's in the middle of the pack, press-freedom-wise, and every time Lee "Thin-Skin" Myungbak arrests or persecutes another blogger, podcaster or critic, I wonder how long it will be until Korea's media is truly free. And those who want  freedom to partake in "irresponsible reckless name-calling" are just as much in the wrong as those who would arrest them.

As for which media should be allowed to make which jokes, and when, I think a good rule of thumb is to put the shoe on the other foot. How would Koreans feel if East-Asians in the USA were still being portrayed like this:
(source)

Instead of like this:
(source)

Yeah that's what I thought.

Blackface In Korea? AGAIN? Bubble Sisters were NINE YEARS AGO!

[UPDATE] MBC has apologized and said "It will not happen again" -- we'll see.

Hat tip to Eat Your Kimchi.
More at Kushibo, and The Unlikely Expat, and Expat Hell


If the video's blocked on copyright grounds (they're shitheads, but they like to guard their stuff, those MBC folks), contact me and I'll see to it you get a copy of the video from the uploader.

OK, Korean media people. Here's the thing.

You, collectively, get to plead ignorance ONCE. Once altogether. Not once every three years: there's no reboot button. There are areas where you are supposed to have learned the lesson, and then not do it anymore.

And after that first "oh, we didn't realize," the free pass has expired. Forever. That Get-out-of-jail-free card is one-use only.

In fact, if you look at the makeup - all the way down to the white space around the lips -- it looks like the people who did this blackface DID know enough about blackface to make sure the Korean singers' makeup was identifiable as classic blackface.

To compare: (source)

And:

 Note the Koreans in versions of Hanbok: Korea's traditional clothing.

 

 Notice also the TV Station logo on the top right.

 The Koreans lined up in the background, being entertained by the minstrel show.

 The caption at the bottom: one of the blackface painted actors shouts "I love you Korea!"

They're supposed to be dressed as a cartoon character.

That cartoon is extremely racist itself. You can read about it here.

And you don't get to say "Oh. That was another TV station/studio/music company that did blackface last time: they should have learned their lesson, but we can hardly be blamed..." Because you have people in your company who have been in the industry, who have been paying attention to the industry, since the last time some asshat did this. (in January)

So pull your head out of your asses Korean domestic media companies. Because your stuff gets put on Youtube, gets watched by all the expats living in Korea. Pull your heads out of your asses because a month after Girls' Generation got on Letterman, and (as is hoped) a whole bunch of new people started to pay attention to The Korean Wave, and began to be interested in Korea... here's what they see:


And that's embarrassing. Embarrassing for Korea, because some people? All they know about Korea is Girls Generation on Letterman, Hyuna's Bubble-Pop video, and now these screenshots.

Embarrassing for all the people trying to promote Korea overseas, to change and improve the image of the country.

Not all Koreans are racist. That's obvious. But Korea's media makes Korea look like a racist backwater from time to time. And with images like this, Korea's media makes Korea look like a really racist backwater.

And the Koreans who aren't racist, have to kick up a storm when this shit does happen, so that it doesn't happen again, and it doesn't take letters from the NAACP or the Simon Weisenthal Center to cause a retraction or an apology.

If this video gets pulled from Youtube (and it might), contact me. I'm in touch with the uploader, who has a copy on their computer.

Oh, but tu quoque, Roboseyo: you see, Billy Crystal wore blackface at the Oscars! Yes. He did. And he got called on it, a lot, because blackface just isn't acceptable. When "chinky eyes" got drawn on a Starbucks cup in America, it caused a bloggy firestorm. Because while America clearly hasn't solved racism (that's not how these things work anyway), America DOES talk about these things, and everyone can learn where the lines are drawn, because everybody is witness, or party, to these discussions.

It was just a little over a month ago - ONLY A FREAKING MONTH since since the last blackface fuck-up on Korean Television. (SNL Korea's blackface Dreamgirls skit). That time I was talking about the ambiguities on the radio -- why should American cultural sensitivities be suddenly forced on the entire world's media, just because someone might put something on Youtube?...

But when I look at these images, and this video... such attempts to contextualize go out the window.

Look at the video above. This is not a video that would only offend Americans sensitized to blackface. Look at these pictures. Find me an African who doesn't find that offensive. (source)

How about this music video. (Bubble Sisters were 2003. We STILL haven't learned, nine fucking years later?)


How about this fried chicken commercial. (Uploaded 2009; not sure when it aired)


This no longer strikes me as an isolated incident. This strikes me as something Korean society needs to have a soul-searching discussion about.

(source)

Because if foreigners wearing hanboks is the only acceptable way to put foreigners on TV in Korea -- either in Hanboks, or with bones in their freaking noses... Korea really, SERIOUSLY needs to talk about portraying non-Koreans in the media, in a way that treats them as humans, as adults, as thinking, feeling beings, and not just as embodiments of stereotypes,  (source)

as a validating foreign gaze,
(source)

or as pretty faces saying Korean men are handsome, Kimchi is delicious, and everything Korea is a wonderful! (Misuda accomplished more than that... but it did put otherness on display...and nobody's explained to me why the opinions of pretty, foreign women (put your emphasis on whichever of those words you choose) are more valuable than the opinions of non-pretty, or non-foreign, or non-women. I wrote about that here.

... if those are the only images foreigners get in domestic Korean media, we'll have another generation growing up who are unable to think of Korea's relationship with the world in any frame other than "us and them" and that's not a healthy attitude for a country that wants to be a global player.

The cultural argument needs consideration: last time around, I argued it's ethnocentric to say the whole world must ascribe to our values of what's offensive... but it's also ethnocentric, and just fucking disrespectful, to say "because we're a different culture, we're allowed to mock your racial/ethnic/gender identity group as much as we like. You just don't understand us." (And it's dishonest to continue hiding behind "We don't know any better" (you get to play that card once) or "You weren't the audience" (that's not how things work in the hyper-connected information age. Everybody sees everything all the time). Does Korea really want to be considered an elite/advanced nation? Then set that "Korea's still a developing country" excuse to rest and start taking ownership.

So between the type of tunnel vision that says "Everything that offends me must disappear from everywhere" and the type of tunnel vision that says "Because we don't share every aspect of your cultural history, we're allowed to brazenly continue practices that we are well aware are offensive to a lot of people" we need to find a middle ground where all involved cultures feel they're being respected. It needs to be a reciprocal conversation: not just a dictation of one media's mores to another culture, nor a flat cultural argument and a subsequent refusal to listen.

And the way to find that middle ground is to talk about it. Continually -- these kinds of discussions are never completely finished (cf: Billy Crystal), but every time we revisit the same themes, we've come a little farther, learned a little more, and are more likely to get things right. So let's talk about it. In English, and also in Korean.

Because here's what happens next: Korea's One Use Only "Get out of Jail Free" ignorance card has already been played (back in freaking 2003, when the Bubble Sisters used blackface)

Now that the free pass has already been used, every subsequent time garbage like this gets on Korean Television, or in Korean newspapers, bloggers are going to write about it. And send letters to groups like the Simon Weisenthal Center and the NAACP about it, and contact the journalists we know, and share it on facebook and twitter. And cause as much embarrassment as possible for korea, until the TV producers who say "Yeah, sure, paint her face black. It'll be funny." Stop saying that. Until the KTO has a sit-down with the chairperson of MBC and says "Stop undoing our Korea promotion work with your racist brain-sharts." Until SM Entertainment and JYP lay a little smackdown on local Korean media for making their Hallyu venture harder to achieve because instead of "K-pop? Weren't they on letterman" the initial respons becomes "Korea? Isn't that the country that still makes blackface jokes?"

And while we're here, let's not forget: there's already an anti-Hallyu backlash in Japan, and other places. As Block B discovered, it doesn't take much to get an entire nation up in arms at a percieved slight (cf: Jay Leno's dog eating joke and here), and you never know when this or that story unexpectedly goes viral. If MBC decides to mock the Thai, or Filipinos, or Vietnamese, next time their variety shows can't think of a joke, if the next target are some dirty Chinese instead of some blackface pickaninnies, that rumbling anti-Hallyu backlash could crystallize into something too big, and too angry, for an apology video to smooth over.

Korea wanted a place on the world stage. Well, now that you're here, this is what happens. Everybody watches everything, and dirty laundry gets hung out for the world to see. There are no more secret shames, so let's hope Korean TV programmers, music video producers, and the like, start treating non-Korean cultures with a little more respect and responsibility.

We haven't forgotten about you, T-ara. Don't worry.



More links:
Hitler and Anti-Semitic stuff:
Bar named Gestapo
Hitler bars.
Let's not forget the kinds of apologies Koreans have been known to demand in the face of insults to their heritage.
The Nazi Coreana ads: using Nazi symbols and Hitler references to sell cosmetics.
Explaining why Koreans suffered more than the Jews. Because it's a contest, and the people who suffered the most win.

Are Koreans Afraid of Foreigners? Videoclip plus Facepalm

CJ Entertainment put this video out, to show how scared Koreans are of foreigners.



The only problem is, I don't think it shows Koreans are scared of foreigners.

I'm not surprised at all, given the fact so many Koreans' main experience with English is connected with Very Important Tests, or Evaluations That Could Bugger Your Upward Mobility Forever (even if you never need English in your work), that many are nervous about speaking English. If you could measure English Speaking Anxiety, I don't doubt Koreans would be near the top of the international rankings. But I'd say this video proves Koreans are afraid of speaking English, not of foreigners. Most Koreans I've met are pretty curious about foreigners, if they're brave enough to start talking.

I took issue with EBS's racism video earlier, basically for editing video to tell the narrative they wanted it to (that time, that Koreans like whitey more than South Asians)... and it's interesting to contrast these two videos, to demonstrate that yeah, the white guy also has trouble finding useful help, and some people walk by the white guy, too.

Another angle: if a Korean were walking around on the streets of Toronto or Baltimore, they'd probably have just as much trouble finding help, or being passed by. Because they're not speaking the language of the land. Not even trying.

As a traveller like this guy is dressed up to be, and especially as someone living here, not knowing the basics of the local language kind of inexcusable. It's not THAT hard to learn a couple of phrases, to learn to count, to learn left, right, straight, and "over there," and it'll help you find what you're looking for, and get along with the natives. If you can't be arsed to learn that, while staying here longer than a month, you should only travel to countries that speak your language, or stay well on the beaten track for tourists, where odds are higher you'll eventually bump into someone who can speak with you.

While we're in Korea, and while it's sweet that CJ cares so much about how anglo tourists fare in Korea (did they make similar videos for tourists speaking Vietnamese, Cantonese, Thai, Mandarin, Mongolian and Tagalog?), let's remember that Koreans in Korea are under no obligation to learn the languages of the people who visit Korea, and if they do learn, and if they speak it with you, they've doing you a favor, to which you are not entitled. Let's be clear about that.

And this doesn't prove Koreans are afraid of foreigners. That is all.

Sigh. Do I HAVE to write about Jenny Hyun?

So Jenny Hyun is a person I never heard of before, and she wrote some racist things.
Write-up. Write-up.

I usually don't write about Korean-American or Asian-American things.

Because I'm not Korean, I'm not American, and I'm certainly not Korean-American. Where those discussions intersect with questions of Korean identity and Korea expat identity, it interests me, and I link "I Am Koream" on my sidebar because it's related often enough...

but since everyone's writing about Jenny Hyun's racist tweets, I guess I will, too:

Is Jenny Hyun a typical Korean-American? No.
Is she a typical Korea-Korean? No.
Has she lived in Korea? Not that I've gathered so far.
Do her tweets say anything about Korea? No.
Do her tweets show us anything about how Korea Koreans feel about black people? No.
Do her tweets show us anything about how Korean Americans feel about black people? No.
Is there any reason I should care about her racist dumb comments more any other set of racist dumb comments? No. And hers even less than the other trolls racists and dumbasses, who are more likely to have been in control of themselves when they write their drivel.
Is this going to kill the Korean wave in America? No.
Should Girls' Generation or Chocolat continue to employ her? No.
Should Ms. Hyun have a twitter account if she knows this is one of the ways her mental condition manifests? No.
Last I heard, the situation is being explained as a possible schizophrenic episode... and should I get my knickers in a knickerbocker over words that are nothing more than the manifestation of an unwell mind? No.

Does she deserve to get off the hook if she really is sick? Not off the hook... but she clearly needs help here, either for dealing with racist attitudes, or for dealing with her condition. And she should have a few people around her who are filtering stuff like this.

If the schizophrenic thing is a line her agent or handlers are peddling to get her off the hook? That's just as bad as the stuff she tweeted (and her unapologetic response to the backlash), because schizophrenics and others who struggle with mental illness do NOT deserve to have their condition filed with "I was drunk" and "He's lived a hard life" as excuses for bad behavior that deserve to be met with jaded "oh yeah?" responses. Poisoning the compassion the unwell deserve is the most deplorable thing I can think of.

The final takeaway... probably the only real takeaway here:
The response to racism (Mayweather's comment) is not more racism.
The response to Hyun's racism, is not more racism, either (NB: people using this to say all Koreans or all Korean-Americans are racist, because of their tangential association with Ms. Hyun.)

OK I'm done.

Also... Jeremy Lin... Taiwanese-American. Intersects with the themes of this blog even less... though I like a good sports Cinderella story as much as the next guy, and it's really easy to root for him.

SBS K-Pop Star

After the success of "Superstar K" and then "I am a Singer" other reality/audition shows have been catching on like a virus on Korean television.

My wife has been a big fan of K-pop Star, where heads or representatives of some of the major Kpop companies themselves are the panel of judges, watching talented young people compete. Some of the competitors have been pretty darn good, so I'd like to write a post talking about it.

Oh.

Nevermind then.

Building a Great Album: Side 2

I'm calling it side 2 even though you don't have to flip over a CD or tracklist... yet somehow a lot of albums are still structured to have similar highs and lows to what you'd get on a tape or vinyl record. Because it works: it's a way to sustain listeners through an hour of music from a single artist. I'm sure their are other ways to structure it (for example, making an entire side of a record a single song)

I'll Believe in Anything - Wolf Parade. Saw this song performed live. Wow.


By the way, while I'm on the topic... http://www.music-map.com/ is a great site to visit if you like an artist, and want to find more like them.

4. Somewhere in the second half, there needs to be one (or more) song that is absolutely awesome, to hold together the second half. If the album is front-loaded, I'll lose interest. Arcade Fire's albums suffer from this: too many of their second halves (side twos) are a little undifferentiated, and the resulting effect is an impression that their albums are all about ten to fifteen minutes too long. The side two anchor can bring something a little different than the opening trio, it's a good place for a piece that sprawls (on the first half, it's better to keep things tight) ... but it has to kick ASS in its way.

Some great standout second-half anchors - you'll notice that a number of these are the emotional climax of the entire album, and others are the emotional counterpoint that contrasts the tone of the first three tracks:
Ball and Biscuit (White Stripes: Elephant)



What is the Light and Waitin' For A Superman (Flaming Lips: The Soft Bulletin)
When Doves Cry (Prince: Purple Rain) (click the link fast. Prince has a record of removing his songs from Youtube)
Runaway (Kanye West: My Beautiful Dark Twisted Fantasy)
Hallelujah and Lover, You Should Have Come Over (Jeff Buckley: Grace)
I'll Believe in Anything (Wolf Parade: Apologies to the Queen Mary: best track on the whole album)
So Come Back, I'm Waiting (Okkervil River: Black Sheep Boy)
2 Eyes 2 C: (Suckers: Wild Smile)
Maps: (Yeah Yeah Yeahs: Fever to Tell)
Ziggy Stardust (David Bowie: Ziggy Stardust)
Lonely Lonely and When I Was a Young Girl: (Feist: Let it Die)
Tracks thirteen, fourteen, fifteen: (Modest Mouse: This is a Long Drive for Someone With Nothing to Think About - only a stunning climax would have been able to balance an album with so many massive dynamic swings, but these three do it.)
Share (Cymbals Eat Guitars: Why Are There Mountains-the two songs I mentioned in this post are the only two really good songs on the album, in my opinion, but their placement shows me the band knows something about shaping an album. I'll give their next one a try.)

Scythian Empire (Andrew Bird: Armchair Apocrypha)
Broken Drum (Beck: Guero)
If You See Her, Say Hello and Shelter From the Storm [not on Youtube] (Bob Dylan: Blood on the Tracks)

5. A satisfying closing. This is one of the reasons I really hate rereleases, bonus tracks, and special editions that add tracks (especially alternative versions of songs we've already heard) to the end of the original album: because the final word of an album shouldn't be messed with. And if a track wasn't good enough to be part of the original album statement, it doesn't deserve a place on a disc with the original album.

Many bands put their most sprawling track last (Desolation Row, A Day in the Life), some sail off into the stratosphere (Purple Rain - Prince: Purple Rain; All Is Full Of Love - Bjork: Homogenic; Dragon's Lair: Sunset Rubdown - Dragonslayer; My Body is a Cage - Arcade Fire: Neon Bible), or at least somewhere (The Happy Birthday Song - Andrew Bird: Andrew Bird & The Mysterious Production Of Eggs) and others end with a gentle sigh that almost deflates (I Saw a Light - Bat For Lashes: Fur and Gold, Mothers of the Disappeared - U2: The Joshua Tree), and others are a little bow to tie off the emotional dramatics that came just before (After Hours - Velvet Underground: Self-Titled; Her Majesty - Beatles: Abbey Road; Space Travel is Boring - Modest Mouse: This is a Long Drive...) but when it finishes, you know it's finished, and the journey is complete.


Radiohead are the best at putting a final song in that drifts off and leaves the listener exactly where they want them. While the rest of their albums are so good it's not always easy to say they're the best tracks on the albums (though some are contenders) but they're all gorgeous songs, and perfect closers. Wolf At The Door and Four Minute Warning (Hail to the Thief and In Rainbows, part II) are favorites.  Tom Waits ties off his albums (which fly in every direction) with his final songs, which is very important to restore unity after switching across genres, themes and emotional tones as much as he does - "That Feel" from Bone Machine, "Anywhere I Lay My Head" from Rain Dogs, and "Come On Up To The House" from Mule Variations are three finishes that complete the arc of their albums, and "Fawn" is a perfect, sad little bowtie.

Other great closing tracks:
Bird Gehrl (Antony and the Johnsons: I am a Bird Now); Pitter Patter goes my Heart (Broken Social Scene: You Forgot it in People) Filmore Jive (Pavement: Crooked Rain, Crooked Rain)

Bird Gehrl


On the flipside, NEVER EVER put your worst song last, because that's the closing impression I'll have of your album. From Here We Go To Sublime, by The Field, has a closing track I find really languid and dull compared to the excellent rest of the album, and particularly compared to the superlative track "Silent," which is the chillest bliss-out I've ever heard. It uses a different sound vocabulary than the rest of the album, and is considerably slower, so that the album ends in an anticlimax... and not in a good way (as in Bird Gehrl, above, or "One road To Freedom" a nice bring-down at the end of Ben Harper's "Fight For Your Mind," after the stormy "God Fearing Man"

Following the template
Antony and the Johnsons - I Am A Bird Now
White Stripes - especially Elephant
U2 - The Joshua Tree
Kanye West - My Beautiful Dark Twisted Fantasy... though the closing track isn't as great as some of the others.
Rain Dogs - Tom Waits (one of the greatest songwriting albums in my collection)
Songs by Leonard Cohen (his gorgeous debut album)
Bjork - Homogenic
Built To Spill - Perfect from Now On (second half high points; Time Trap, You Were Right)
and it doesn't have to be classic, indie, or obscure, either:
Barenaked Ladies - Stunt

Filmore Jive - Pavement (a band whose sound checks none of the boxes that usually make me like a band... but which I keep coming back to again and again, because their songs are just ... great.)


The other way to make an album is to make one that's strong from top to bottom -- no tracks particularly stand way out... but there also isn't a weak one in there, either. This is hard to do, because if the songs are too similar, it's boring, but they have to stay within the vibe. These consistent kinds of albums are the best for listening while you're working or driving, and they're really satisfying.
Avett Brothers: I and Love and You
Most Wilco albums, other than Yankee Hotel Foxtrot
Most albums by "The National" -- which is why they grow on you so much. High Violet is an especially good example of this, because they even manage to have some standout songs... without having standout songs.
Animal Collective: Merriweather Post Pavillion
Bob Dylan: Blood on the Tracks
Bon Iver: Self titled
David Byrne: Grown Backwards



Back to the first post.  Back to part 2.  My posts about Bliss-outs.  About K-pop. About REAL Korean Music.

Building a Great Album: Side 1

Soundtrack: Black Dog, Led Zeppelin, for your listening pleasure.


Though albums are sold as CDs or digital tracklists these days, rather than tapes or records with two sides, there are certain features of the first half of an album's playing time, and certain features of the second half, that have held true even after we stopped having to flip over our tapes and records. This post is about what works on side one of an album.

I'll try to put links up at least one of the times I mention an album or band... but google works, folks, and unless I add a qualifier, I'd say that all the songs (and albums on which they are found, obviously, given the topic) are keepers, and worth a try. Unless you really disagree with my taste in music... which is OK, too.

1. As per Nick Hornby's Mixtape Rules from High Fidelity, the first track SHOULD be a great one... but it should also be a statement of purpose about what the album will be about (this has been true since Sergeant Pepper, the first modern album), and the second song should bring things up even higher, if possible-or go somehow further in the direction the album's going. No band has ever (or at least... SHOULD ever) put their most depressing song first. Or the one offbeat song that doesn't match the rest of the album's tone. The Joshua Tree put Bullet The Blue Sky fourth (a good place for a change of pace song), not first. White Stripes' Elephant also changes pace for tracks 4 and 5. Couldn't exactly gone any higher.

Led Zeppelin (Black Dog, Whole Lotta Love, Immigrant Song) and U2 (Where the Streets Have No Name, Beautiful Day) are two bands that are very good at picking a great opener. Like or dislike the entire album, with "And the Hazy Sea," Cymbals eat Guitars tells you exactly what you're getting. On an awesomer scale, "Wanna Be Startin' Somethin'" at the beginning of Michael Jackson's "Thriller" lets you know you're in for something really, really hot.

Other albums with really great first songs, or songs that set the tone really well: Funeral, by Arcade Fire (The Suburbs is probably a better album overall, but The Arcade Fire might never top that first song off their debut full-length). Purple Rain, by Prince (Let's Go Crazy), "Fever to Tell" and "It's Blitz" by the Yeah Yeah Yeahs. Weezer's "My Name is Jonas," is an amazing opening volley. "Until the Morning Comes" by Tindersticks. Yeah Yeah Yeah Song, by The Flaming Lips (At War With the Mystics is not their best, but probably their most fun album.)

Until the Morning Comes (Tindersticks)

2. The first three tracks should set out most of the album's sonic parameters, and if you only have four or five great songs for your album, it's not a bad idea to cash in two, or even three of them, in the first triple. If the goal of your album is to rock out, the advice given in High Fidelity (I think in the book: can't find it in the movie clips) stands: start strong, but make the second song even better, to serve notice that things are going to rock out, not peter out.

Greatest opening trios in my collection:
White Stripes: Elephant (Seven Nation Army, Black Math, which somehow, almost unbelievably, kicks it up another notch from the stunning opener, and then There's no Home For You Here, which nearly made me drive off the road the first time I listened to it in a car.)
Jeff Buckley: Grace (Mojo Pin, Grace, Last Goodbye)
U2: The Joshua Tree (Where the Streets Have no Name, I Still Haven't Found What I'm Looking For, With or Without You: Incredible!)

Yeah Yeah Yeahs: Zero. Shiny!


Other stellar opening trios: David Bowie: Ziggy Stardust (track 4's not bad, either), The Flaming Lips are very good at opening songs and trios that set out the tone for the album...and also kick ass, The Yeah Yeah Yeahs albums "Fever to Tell" and "It's Blitz" also do this really well, but the masters might be The White Stripes: all of their studio albums do this in spades, bringing the thunder while setting the soundscape.

Interestingly, the Beatles - album as genre pioneers - usually don't follow to the "first three tracks" rule

3. If there isn't a tone-shift track somewhere in the first five tracks (think "Bullet The Blue Sky" on Joshua Tree, or "Exit Music For a Film" on OK Computer, or "The Beautiful Ones" on Purple Rain), I stop expecting one, and start listening for if the album is consistent all the way through (Blood on the Tracks) instead. Changes of tone aren't needed, but it's a different type of album where the songs all combine into a very unified listening experience, instead of standing out a little, one from the other.

Back to part one.  On to part three.

Building a Great Album: On The Album as a Journey

From time to time I stop prattling on about Korea, and prattle on about music or film. If you prefer my Korea prattle, hang in there. I'll get back to it soon enough.

I love music. I don't have training in music, so it's not about the chords... it's about the place the music takes me. And if a four chord song can do it, that's fine. And if you need a masters' in music theory to explain it... that's fine, too. I'm like people who drive a car, but can't explain how the engine works: I don't quite understand how, but if it gets me where I want to go, we're good. And even if engineers tell me it's built very cleverly, if it doesn't get me there in a way I like, somebody else might, I don't really care what the engine specs are.

So you're welcome to disagree with me about which music I love, but I was just listening to OK Computer, and listened to "Exit Music For a Film" followed by "Let Down" followed by "Karma Police" -- which, despite having made so many great songs, might be the best three-song run Radiohead's ever strung together on an album. Might.

Exit Music (For a Film)


I almost always listen to albums. Maybe I'm a relic because of it. I don't grumble that digital music sounds different from vinyl, I don't have a hi-fi and a set of $800 headphones, but I believe that an artist who knows what they're doing puts enough care into the songs they write, and the order they appear in, and how they fit with each other, that it's worth listening to the album, to get what the artist was going for. Skipping to your three favorite tracks instead of listening to the album in the track order it was made, if the artist knows what they're doing, is the difference between going on a road trip with someone, and looking at the five best pictures they took on their way.

And these days, when the internet, and Youtube, have diminished the returns on making a full album, rather than condensing it into an EP, or releasing it as two EPs (each with their own hype buildup and lead singles), so much that an artist has no reason to make a full-length album... unless they have something to say that can't be broken into an EP. This is all the more reason to continue to listen to albums, to see if artists are worth their salt, before looking up the best songs on Youtube.

Let Down


Sgt. Pepper probably marked the beginning of the album as an artistic expression of its own, rather than just a collection of artistic expressions. The less nuanced approach was to put the most radio-friendly songs either at the beginning of side one, or the beginning of side two, or somewhere on the first side, as far as I can tell from checking the track lists of my pre-1967 albums. (this continued after Sgt. Pepper as well). Some bands still just put their most likely hits first, and pad out the rest. This is less forgivable than ever before, now that iTunes has rendered album filler obsolete, and extra annoying.

But there are still bands out there that can put together a hell of a good album, and this series, like my old bliss-out posts, is a little celebration of albums, particularly the ones that are well-built... and perhaps it's an elegy for them too, now that the album as artform is becoming less and less relevant in the face of music videos and EPs that can boast a higher hit-song to track-listing ratio (available for 99 cents on iTunes!)

Karma Police


There are a few keys to a well-constructed album, in my book. Not every well-made album has all these features, in the same way that not every relationship-driven drama involves a misunderstanding or deception in the second act... but enough do, that I'm not going to say this is why these albums work, but it's clear that this does work. I'm giving examples here from some albums I really like. Some of them are classics and all-time greats; others are middling albums where the only thing going for them might be that they were built the way they are... in fact, some of these albums are basically the equivalent of a mediocre painting with very good composition... which just makes the composition stand out more admirably.

Go to part 2 of the series.

The Korean Takes All Comers in the Dog Meat Debate

The Korean, from Ask A Korean! has thrown down a heavy gauntlet at Busan Haps, where he's written a  very, very strong argument in defense of Koreans who wish to eat Dog meat.
Busan Haps, who are kind enough to volunteer to moderate this discussion (yikes!) have been hosting a three-part "Great Dog Meat Debate"
Part one was a food writer talking about eating Dog meat.
Part two was a vegan food writer explaining why Dog meat is bad. Unfortunately, her argument gets thoroughly dismantled in the comments.
and The Korean! is part three.

[UPDATE: This is a response to The Korean's article on the topic, by Leo Mendoza, founder of the Busan Abandoned Pet Sanctuary" - someone who's face-up close to the issues, and offers a more pragmatic view than the keyboard warriors and idealists, enriches that pragmatism with eyewitness experience... but also has a few straight attacks/insults, disappointingly.]


You may remember The Korean for drawing the hate of every animal lover on the internet for his original defense of Dog Meat, here.

As happened recently when Dog meat came up at The Marmot's Hole, the discussion board has become a bit of a free-for all. My own thoughts are below the jump.

The Korean Blog List is Dead. Long Live All The Korea Blogs

After leaving Korea, it's no surprise the guy who ran the Korea Blog List is no longer interested in maintaining it.

It's no surprise, either, because the list has gotten so long and unwieldy, and the choice is either to let it balloon with defunct blogs, or spend ever-increasing time curating something that's no longer an legitimate part of his life.

Now, Blogger Noe has kindly saved all the links originally listed on the Korean Blog List (here) and has updates (here). (The "Foreigners living in Korea" list is here)

Korean News Feeds, which used to clearly be the best spot, also now carries a lot of links to defunct blogs, and has simply started including so many, that I'm no longer sure that they've chosen only the best ones -- its once awesome status as a great curator of blogs has been diluted by volume.

Alphabetical lists (as at Noe's blog) and time lists (in order of when their names were added to the list, which Korean Blog List used to do) are both also subject to the problem of defunct blogs (a constant problem) getting equal space with the active ones.

So I've built a very simple blogspot page, named: All The Korea Blogs, which uses the same "Most recent update goes first" system as the links on the sidebar of my blog -- which I really like, because you can tell which blogs are more active by moving to the top of the list, or spotting which ones linger up there.

If you want to account for quality, look at the sidebar on Roboseyo, where I've put my favorites, instead of "All The..." which looks to be more completist... or check the sidebars of your other favorite blogs.

So add "All The Korea Blogs" to your links, and if you have a blog, ask me to add it.

And everybody: don't forget to check the links on the side of your blog from time to time, to see if they're still updating.