Tuesday, January 15, 2008

the photo a day phenomenon

more about gender in Korea. It's weighed on my mind lately. I have a few female students looking for a job these days.

I don't know how I got on this topic, but. . .

this isn't a photo a day, but it's fun to watch -- it's like flipping through a book of norman rockwell paintings.
i think this one's like a celebration.



there's a whole ream of these out there. . . this one's hypnotic.



this one's my favourite: a tribute to Mel, Deb, Caryn, Christie, and Heather: my friends and family are expected to have 400 BABIES this year!



In "The Score", Edward Norton made fun of all the actors who pitch for a best actor nomination (cf. Rain Man, I Am Sam, What's Eating Gilbert Grape) by playing a mentally disabled person, by playing a thief who pretends to be a mentally disabled person, to get into the building he wants to rob. By adding another layer on top of the mannerisms of playing a special needs person, he pointed out the phoniness of the actors playing the trick, and also ended the trend.

(These days, somebody needs to mock the "beautiful female star gets ugly to win best actress oscar" trend (see: Kidman, Nicole; Theron, Charlize, etc.,) in the same way.)

likewise, when this video came out, the "picture of yourself every day" trend was officially over.




(hee hee hee)


(ps: imagine being the guy who decided to do "a picture a day for six years", only to have somebody else do "a picture a day for four years" and put it online a year before you, and steal your thunder. Somewhere, there's a person saying "dammit, I got greedy. Eight years was too long: now I'll just seem behind the times". There's also someone who got five years of pictures swallowed by a crashed hard drive. Poor schmoe.)

Monday, January 14, 2008

From 2003. . . and right tragic.

In 2003 a land-claim dispute between Korea and Japan started heating up. There are a couple of islands called Dokdo in Korea, and Takashima in Japan. I won't get into the whole story, but when Japan made a claim on Dokdo, Koreans responded with all the rage and resentment stored up from memories of decades of Japanese colonization, back before World War II.



Now I'm not saying Japan is in the right here; they did a lot of things that are nasty and ugly and disgusting and dehumanizing during the colonial times -- I've talked about the Comfort Women (see the posts about moral authority from November), and that whole episode is so totally reprehensible and tragic. . .



but responding with this kind of hatred puts Korea in the wrong, too: these are pictures drawn by elementary school kids, and put up in a subway station. Maybe the teachers were intending to show a little rah-rah-nationalism, but encouraging kids to draw this kind of poisonous stuff ought to lead to a day of serious reckoning for the teacher's union, abusing their influence over elementary school kids.



My old coworker once got an essay that read like this: "When I grow up I want to be a soldier so I can fight the Japan and kill many Japanese for Korea," and kids don't hate like that, unless they're taught to do so by someone they trust.



Not that there's anything wrong with nationalism, if it's a source of identity and belonging. That's totally positive. However, if it becomes a means to attack, marginalize, disparage or scapegoat another country or another people, well, that's ugly and wrong and sometimes dangerous. Korea's not the only country guilty of it -- right now the nationalist rhetoric is at a fevered and dangerous pitch in the good old USA, too, but it's just tragic when it comes to these kinds of displays.

The longer you go through these pictures, the sadder it gets.

This is where ideology goes wrong. . . I love Korea, but this kind of thing diminishes us all.



I hope most of the schoolteachers in Korea were sober-minded and responsible, and this was just the work of a few, ignorant, renegade ideologues. . . I hope. . . but this is all it takes to give a country a black eye: a few angry people who stop using their heads. These pictures made it into the news in Japan and they (along with other dokdo, comfort women, and assorted nationalist anti-Japanese rhetoric and protests) led to a drop in Japan's friendly attitude toward Korea from 69% of survey respondents in 2002 to 36%.



Sure, Japan did some bad stuff. . . but I feel like when humans do ugly things to each other, we should respond with grief, not with hate, and CERTAINLY not by teaching children to hate.

This makes me sad.






My next post will be positive, I promise.

just sad. . . with a funny aftertaste.

The newly elected president of Korea (to be inaugurated in February. . . I think) is thinking of closing the ministry of women's equality. Read this page. What he ought to do, I often think, is to give it some actual teeth for social change. The state here's pretty shabby, when it comes to the international gender equality measure.

Sigh.

I'm not sure which would be worse: if this cover-story is true, or if this is how far the Japanese former-PM would go to deny his resignation was due to systematic party failure.

Friday, January 11, 2008

Irony and uber-nationalism.



There's a movie called D-War or Dragon War that you might have heard about, but haven't seen (unless you're one of my readers who lives in Korea). I'll link to the preview here, but I won't put the clip up. The movie just hasn't earned it. Sorry. It's pretty terrible, and by sitting through it (I'd rather get a filling without anaesthesia), I've earned the right to criticize it if I wish. However, its maker made a play on Korea's nationalistic pride to try and sell it here in Korea, as he also tried to market it in America (it was even set in L.A.). Nationalistic pride or none, the movie's acting, direction, and most of all, writing, were just not good enough to attract an audience in the States: as Patroclus and Michelle Wie both learned, if you want to play with the big kids, you gotta have the chops! The grab for publicity, and the play on national pride, were perfectly encapsulated by the movie's closing credits in Korea, where he played Korea's greatest, favourite traditional folk song, while running a long description of the director's career and accomplishments (basically begging for approval), including pictures of himself in a director's chair and other film credits, and ending with his guarantee that his film will be successful around the world . . . "for Korea".

You can hear the sad, haunting melody of the Arirang if you skip to about the three minute mark of the video clip above. It's a wonderful song (when it's not being abused by film directors in cheap grabs for movie-approval-through-association-with-national-pride). Everybody joins in, and it gives me chills, and the melody is one of the best I know. I also love the performance leading up to the ending refrain, but if you need to skip to the end, go for it.

Anyway, it was crass but clever of Mr. Shin to tack National Pride onto what (from where I stand) looked more like a lurid act of blatant self-promotion, because just that easily, he placed his poorly-written, badly-directed, and horribly-acted movie/ego-trip above critical reproach. An attack on his movie was an attack on Korea, and Korea's entire culture, rather than just an honest review of a bad movie.

The silliness all came to a head when a single Korean film critic was brave enough to step out of line and tell the truth: "hey, everybody, did anyone else notice this was actually a terrible movie?"

Rather than a rush of other critics flying to his side and saying "THANK YOU! I thought so too, let's end this nationalistic silliness and call a spade a spade," that lone critic was attacked by many angry Korean netizens, it's not in the article, but one of my students told me the critic's life was even threatened.

It's sad and ironic to begin with that many Koreans bought into this guy's cheap play on national pride, and stood behind a movie that will more likely damage the Korean film industry's reputation abroad than promote it, but to shout down a critic trying to be honest is just too much. Not that netizens from ANY country are well known for being rational, sober-minded thinkers, but still. . .

And it's unfortunate that this train-wreck was the movie trying to break into the American market. There are a few great Korean movies out there. (Oldboy won second prize at the Cannes film festival a few years ago, and The Host was better than any Hollywood monster movie . . . probably since Jaws, hitting every note perfectly, and switching from satire to thriller to family drama on a dime,) so why offer this mess up as representative?

Here are some links that discuss D-Wars' awfulness,

and also netizens' blind nationalism causing them to defend the indefensible (the quote from the director at the end of this article is a hoot.)

At movies.yahoo.com, you can browse user reviews. . . notice the frequency of complete A+ reviews with broken English in the write-ups.

on IMDB.com Koreans have been logging on and giving D-Wars 10/10 ratings to balance out the 1/10s given by non-Koreans. (Note the high concentration of highest possible and lowest possible scores on the "who rated this movie" chart.)

but they couldn't save its abysmal score on rottentomatoes.com

In light of all that, to go with this incident, I had a funny moment in one of my classes last week. I brought up the knee-jerk nationalist netizen flaming of the movie critic, and asked a question about the way nationalism often goes so far in Korea that sometimes reason goes out the window, and when something starts sounding even a little critical, one runs into a lot of defensiveness, even in areas where it's generally acknowledged that Korea needs reform (for example, education, gender equality, or lookism). One of my students took umbrage, and told me, "You should be more positive. Why do you have to criticize Korea so much? Why can't you just accept it?" . . . if I wasn't taken aback at having my sincere and (I thought) neutrally-phrased questions answered with defensiveness, I might have been quick enough to snap back, "I rest my case."

I felt a bit stymied: I've lived in Korea for the greater part of my adult life now. I've read books about Korea, asked a lot of questions, studied the language and discussed Korean issues with a lot of different people. I try to have a generous, open-minded, non-judgmental, but well-informed view of what I see here, and being well-informed requires an honest look at both the positives and the negatives. If I criticize something, it is in hope of improvement, not for spite or mean-spiritedness, and certainly not because I think Korea should become exactly like Canada; I try not to talk about things I don't know about, or add qualifiers that "I might be wrong" and "please correct me if I'm wrong" or "this is just what I've observed personally". Basically, I've been here a long time, I've read the tourist brochures, and I wish I could dig a bit deeper without being accused of being a hater. . . but maybe conversation class isn't the time and place to do that (sigh). I like to think that if somebody came to me and, in the course of the conversation, we discussed Canada's social problems, with well-informed and thoughtful views, that I'd listen carefully, but maybe I'm just flattering myself.


Anyway, here's something I love about Korea:

Arirang is the unofficial national anthem, and holds a special place in Koreans' hearts, kind of like "Waltzing Matilda" to Australians, and the "Hockey Night In Canada" theme to Canadians.




(da da da dum dum deeeeeee, da da da dum dum de deeeeee, (everyone together now) da da da dah dah deee ba ba dum bee dah dah dum dee. . . )

(for the Aussies)



Here is a rough translation of the words to the first verse (the one sung most often) of the Arirang, adapted from a translation by Young-hae Chang:

Arirang, all alone
I am crossing arirang pass
if you leave me, my love,
your feet will fail you
before you even walk ten leagues.

It's a sweet, melancholy song, full of "han" (Korean word for a deep, sad longing for a better, but lost, time and/or place -- akin to the world-weary traveler's emotion when he thinks of a home he can never return to.) And it even turns up in soccer chants.



Man I love this culture.

Thursday, January 10, 2008

Roboseyo saves the world. . .

I offered a solution for how to save the world earlier on this blog. Here's another. It was tagged on at the end of the previous post. . . but I don't think anybody read it, because I added it a day later.

In the new, global world, here's another thing I would do if I were king of the world:

I'd make an irrevokable law that, for the countries with the 30 largest populations, economies, and militaries in the world, the rest of the world gets to participate in their leaders' elections, with the Restoftheworld vote having a 10% say in the final election results -- 90% nationals, so that the home country gets most of the vote, but in a world where a world leader's decisions touch so many other countries, isn't it fair for the rest of the world to have a say in their leadership, too?

(I'd also cancel all veto powers in the UN: I'd change it so that unanimous minus one were enough to mobilize on security council decisions, so that rather than China vetoing UN action in Burma, unanimous minus one would have been enough to get peace-keepers in there. Same for the US vetoes on oil and Israel/Palestine related-type things.)

Any reactions?

and if you don't care for my world-saving solutions, how about this one:

Turns out, peeing on tourists is a BAD thing. Who knew?

Wednesday, January 09, 2008

Korean Trot Music

Remember my post a long time ago about dancing with the crazy old ladies on the boat? I tried to describe the music then, eventually giving up and saying it's impossible.

Well, this is what it was like. . . except faster. This is what old people listen to here. You hear it in taxis, on the street, on outdoor stages for open-air shows, and (worst of all) on loudspeakers in otherwise nice parks. Really, the only thing to do when you hear music like this (not unlike disco and certain kinds of country music) is to get out your pointer fingers and dance. Listen in particularly to the slow vibrato and the quirks in vocalisation -- trot singers (that's what it's called) imitate this style right across the board.







The best thing about this musical style is that it's usually VERY easy to sing, which makes it a smash hit in the karaoke bars (noraebang here -- singing room). Sometimes you hear a song on the radio and you think the radio play is just a formality: this song was totally written to go straight to the karaoke bar and become a sing-along hit. Kind of like sometimes in N. America you hear a song and you go "wow. That song must have a GREAT video," or sports broadcasters justify a player with poor skills by saying, "He's GREAT in the clubhouse! A real glue guy!" Here we go. This is what we danced to on the boat that day, not the exact song, but this tempo, and EXACTLY this sound.



Here's a picture from that brilliant day.





This is Shiina Ringo, my favourite Japanese artist so far. She's fun as anything! She reminds me of Bjork with guitars.



and holy cow there's a lot going on in this video (spanish subtitles, fun as anything music, a japanese artist flaunting cultural stereotypes with MTV editing. . . interesting.)

heh heh heh

Two American institutions, together at last.




I'll put a proper post in here sometime, but I've been busy lately, and haven't had time to find the shiny spots in life. They're out there, and I'm still a happy cat. . . just bear with me until I can get some pictures downloaded or something.

-Roboseyo


Heh heh heh.

pointed satire. I've ranted about this before, here on my blog.




And in case you don't trust the Mass Media to help you choose how to vote (if you have a vote) in the 2008 election, here's an information-rich clip that will probably influence many voters more than a 4-page spread in a newspaper -- was it the 2004 election where I heard of a survey that said America's main source for information about the electio candidates was the opening monologues of the Letterman and Leno Late-Night Talk Shows?



Well, I've pretty much decided who I'd choose now (if I had a vote). (remember back when policies and ideas were the thing -- thank goodness that fad has finally passed. SO much THINKING!--isn't there something very intrinsically wrong with the very fact people are bandying about the word "electability", rather than looking at the actual quality of the candidates?)

Sunday, January 06, 2008

It's been a while since we've had a survey on here. . .

So I drank the Heroes kool-aid after all.

I don't have a TV at my house, and don't really miss it, but after seeing a few episodes of the TV series Heroes (which EVERYONE is talking about here in Korea these days) at my friend's house, I bought season one on DVD for cheap.

And, like the X-Men movies, The Bourne Identity, and Jim Carrey's The Mask, the best part of watching a show where people suddenly discover they have superpowers is entertaining the wish-fulfillment fantasy of what would happen if you discovered YOU had superpowers --

A good third of the fun of watching The Bourne Identity series is the daydream that, one day, when somebody threatens YOU, YOU'LL suddenly bust out deadly martial arts and super-spy skills, too; in the movie "The Mask", where the green mask brings out the side of your character that you hide in public, and gives it cartoonish super-powers, and it gives me a ninety-minute-long daydream about what side of ME would come out if I put on that silly mask. Ditto for x-men -- you can fantasize all day about which x-men power would be most fun, most useful, most frightening, and so on.

So in tribute to the TV series Heroes, the survey question is: which superhero power do YOU wish you had?

(and don't say x-ray vision, because then everybody will know you're a perv)

Two rules/qualifiers (just because everybody always says these ones -- like in Korea, you have to say "AFTER your parents, who is your hero?", because otherwise that's all you'll hear):

Don't say Superman's powers, because that's like going to a restaurant and ordering one of everything on the menu. Ditto for saying "Peter Petrelli's [from Heroes] power: the ability to absorb other people's superpowers": that's like saying "If I found a magic lamp I'd wish for a hundred more wishes." -- and kind of defeats the purpose of choosing. EVERYBODY would prefer to have ALL the superpowers, but if you had to pick one, which would it be?

Friday, January 04, 2008

Wednesday, January 02, 2008

This is where I rang in the new year.

from a professional.
my own pictures.




It was fun. If you see a clown in a bright orange hat in these videos, it's me. 11 auspicious people rang the bell in Boshingak gate 33 times to ring in the new year. It was great being part of the ridonkulous crowd.



The white buses you see are full of riot police. You know, just in case.



Technically, you weren't allowed to sell or shoot fireworks, because people were injured last year (alcohol and explosives don't mix, friends. Don't try this at home.) But I guess the riot police decided it wasn't worth getting out the truncheons to stop people from shooting them in the air.

Either that, or they were busy sipping instant coffee in paper cups, 'cos it was FRIGGIN COLD!






I don't know if you can read the English on this can, but the prose always gave me a kick. I was so disappointed when they redesigned the can without silly words on it.
Even nice places have Konglish on the menus.
The lips stuff again. Not many teeth there.



Painting stripes on the road.
Poorly.


Happy new year and stuff.