Thursday, March 15, 2012

This week in a capsule...

It's been about a week since I last posted, and friends, it's been a week of contrasts.



and this


(Play this video 80 times in a row to experience my Tuesday night)

offset by arguing on the internet about making wild unqualified generalizations, laughing at the Indefatiguable Dragon Slayer's back-and-forth with well-known K-blog troll David T (also known as Archaeologist)

and offset again by "Does Modernization Breed Revolution" (not on its own), does identification with a nation-state, or ientification with marginalized communities within a nation-state, lead to political action? (more or less, but less than one would think), what are the sources of rebellion in Western societies? (perceived lack of legitimacy, history of protest, and past successful protests, among other things), and does poverty lead to terror? (nope)

Also... confucianism isn't enough to explain Korea's rapid development on its own... but probably figures in somewhere. It's just really hard to figure out exactly where, and how, and it's hard to come up with ways to measure "culture" as a variable in a social phenomenon, because culture is such a slippery word.

It's been interesting.


Oh... also... Babyseyo's first day trip happened a few sundays ago, when we took him to a convent where Wifeoseyo and I like to visit, and he nearly caused a riot.


The nuns there had prepared a song for us, which is at the end of this video. Absolutely lovely.

Thursday, March 08, 2012

Blog Posts of the week Recap: Best link comes last


These are the blog posts I discussed in this week's "Blog Buzz" feature on TBS radio. See you next Thursday!

1. A sober topic:

The Korean translates comments by Joo Seong-ha, a North Korean defector who's been deeply involved in recent efforts to stop the repatriation of North Korean defectors from China. He describes counting the cost of bringing the repatriation story into the news: due to the publicity, there'll be a crackdown in China, and tougher border control in North Korea... that’s a lot of potential human suffering to be caused by a media campaign... yet in Mr. Joo's calculus, border control has been so tight since the transfer of power to Kim Jong-eun anyway, and China's been so tough lately on North Korean defectors (refugees: let's call them what they are) that  Mr. Joo figures things pretty much can’t get any worse... so it’s time to build international pressure. 

Every time I see coverage on this protest, and government leaders adding their voices to the pressure on China, I'm glad.


2. Hub of Tackiness

After a lot of talk about the military base, Lost on Jeju is annoyed about some tourism developments around Jeju: apparently, they're developing Jeju’s coastline at Tapdong -- wrecking the natural coast and pouring concrete to build more tourist attractions...

Though at Iho Beach, development has led to lots of asphalt, but no influx of businesses, so that all you see is a wrecked beach, the redevelopment of Tapdong seems to be going ahead.

Basically... there's a delicate balance that must be reached between developing amenities for tourists, and retaining the charms that initially made a site attractive to tourists. My mind turns to Samcheongdong, which has lost all its original charms, as traditional restaurants and unique cafes have been replaced by waffle cafes, coffee shop chains and accessory shops.

When I saw a "Ripley's Believe it or Not!" museum under construction on Jeju, my heart sank. Importing the worst of tourist trap amenities from the world's other famous tourist traps, doesn't automatically make Jeju Island a world-class tourist destination, any more than getting arrested for tax evasion makes me as famous as Martha Stewart.

Two-fer from INP:
I liked I'm No Picasso's call for more nuance in discussions of Asian masculinity, in this post. http://imnopicasso.blogspot.com/2012/02/jeremy-lin-i-guess-ill-weigh-in.html

even more, I liked her insights into trying to find the kinds of expats you actually want to hang out with, here: 

This is a risky topic because it’s easy to fall into stereotypes, but basically... there is a spectrum of how seriously people take their time in Korea as an opportunity to learn another culture -- ranging from "Let's drink budweiser and shit-talk Korea" to "Let's study Korean fan dancing together" -- and most expats fall somewhere in between that... but it's important to find people who are at about the same place on the spectrum as you are, so that the level of shit-talk, and the level of "trying to understand" stay at tolerable levels for all involved.

All that to say... don't give up, because those people are out there. INP suggests developing an online presence, whereby you can filter people before meeting them in person, to figure out who's likely to be the kind of person you want to hang with.


Hyori Pushes Back
Every person who's been body-snarked in Korea, or been told they're fat when their body is perfectly within healthy range, has to smile a little inside at Lee Hyori's response to netizens who criticized her no-longer-epically-taut abs.

When Lee Hyori struck back at netizens saying, basically, “well of course people lose a little tone as they get older” I felt a little hope in my heart that maybe fans will start offering their idols a little more leeway to be, um, healthy.

Full disclosure: I especially liked it, because I’m the same age as Hyori.

Ran out of time:
I didn't have time to talk about the awesome mixtape posted at "G'Old Korea Vinyl" -- which has songs ranging from the '80s to 1939, and is a great overview of old Korean music, in about 40 minutes. Go. Listen. Enjoy.

That is all. go listen to the mixtape.

Monday, March 05, 2012

Go Read Matt's History of Blackface in Korea

[Update: still more great Blackface insights that I'd like to keep connected to the rest of this discussion:

Gord Sellar with another really great insight about blackface in Korea
and Eugene is Huge topped himself, and wrote an even better post about unintentional/intentional racism, and when a "pass"should and shouldn't be granted.

After the storm and thunder, two great last words to add to the discussion:

1. Eugene Is Huge, with a perspective on how much we can infer about Korean people in general, from this Blackface thing. I look forward to the day his comment, "that not everyone in Korea feels that this is not a problem, and that Koreans themselves are not a hive mind" feels like an unnecessary stating of the obvious, when "Oh, Korea" issues come up, rather than feeling like a worthwhile reminder.

2. Matt, from Popular Gusts, has a very well-researched history of Blackface in Korea, tracing the first time blackface was used in comedy, what happened before the '88 Olympics, and a case where Koreans called out a TV station for inappropriate programming, after a case of a Korean comedian imitating a black person.

Wednesday, February 29, 2012

One last thought on blackface... for now

[Update: article on AllKpop.com by Tiger JK - a member of Drunken Tiger - is REALLY worth reading]

After a long twitter discussion with someone who failed to see the problem with the blackface stuff, other than that it was tasteless and unfunny... two more thoughts.

1. YES. Fighting racist, insulting or degrading depictions of other cultures in Korean media is a worthwhile battle to fight, for this reason:

The things that are acceptable to show on TV are the things my kid grows up watching. The things that are put on TV, and the public discussions around what's OK, and why this was and that other thing wasn't OK to put on TV when kids can see it: these things set the norms for all media consumers in that society, for what's OK to talk about, to laugh at, and what we should be offended at. Those conversations about TV shows become conversations about what Uncle Vernon, or Uncle Chul-soo is OK to joke about and talk about around the dinner table as well, and helps kids decide Uncle Vernon is either a guy with strong opinions, or just a racist ass: media reflects, at the same time as it dictates, what the norms and taboos are for a society.

And after all content and jokes that degrade a particular group, or treat a group as inferior, are either removed from TV, or framed within public discussions about how it's not OK to degrade that group... after the media has moved beyond denigrating that group, and the dinner-table conversation reflects those norms, there's finally a chance kids in that media's society can grow up with a mindframe that is 100% non-discriminatory towards that group.

And that's the goal.

My twitter pal asked me, "Shouldn't you be fighting real battles about workplace discrimination, banking and working rights, to root out racism?" And I say the battle for a non-racist media and the battle for non-discriminatory treatment are one and the same. Because if a person has been raised in a media that respects all people groups (not ignores the fact there are people-groups, but acknowledges and respects the differences), you say "Well shouldn't a brown dude be able to get an iPhone in Korea?" and he'll go "Well, duh!" rather than throwing up a wall of cultural exceptionalist/ethnic stereotype defenses.

2. It's a fair point that not every nation's media is the same. Given the robust free speech in Denmark, and the robust public discussions about what's OK and not OK, I understand why people didn't think it was right to have a Fatwa declared against the muhammad cartoonist - because in that country, free speech is pretty well protected, and everybody gets their turn to be mocked, but everybody gets a platform to shout "I don't like what you said about me!"

The state of free speech in Korea isn't quite that strong: it's in the middle of the pack, press-freedom-wise, and every time Lee "Thin-Skin" Myungbak arrests or persecutes another blogger, podcaster or critic, I wonder how long it will be until Korea's media is truly free. And those who want  freedom to partake in "irresponsible reckless name-calling" are just as much in the wrong as those who would arrest them.

As for which media should be allowed to make which jokes, and when, I think a good rule of thumb is to put the shoe on the other foot. How would Koreans feel if East-Asians in the USA were still being portrayed like this:
(source)


Instead of like this:
(source)


Yeah that's what I thought.

Tuesday, February 28, 2012

Blackface In Korea? AGAIN? Bubble Sisters were NINE YEARS AGO!

[UPDATE] MBC has apologized and said "It will not happen again" -- we'll see.

Hat tip to Eat Your Kimchi.
More at Kushibo, and The Unlikely Expat, and Expat Hell


If the video's blocked on copyright grounds (they're shitheads, but they like to guard their stuff, those MBC folks), contact me and I'll see to it you get a copy of the video from the uploader.

OK, Korean media people. Here's the thing.

You, collectively, get to plead ignorance ONCE. Once altogether. Not once every three years: there's no reboot button. There are areas where you are supposed to have learned the lesson, and then not do it anymore.

And after that first "oh, we didn't realize," the free pass has expired. Forever. That Get-out-of-jail-free card is one-use only.

In fact, if you look at the makeup - all the way down to the white space around the lips -- it looks like the people who did this blackface DID know enough about blackface to make sure the Korean singers' makeup was identifiable as classic blackface.

To compare: (source)

And:
 Note the Koreans in versions of Hanbok: Korea's traditional clothing.
 
 Notice also the TV Station logo on the top right.

 The Koreans lined up in the background, being entertained by the minstrel show.
 The caption at the bottom: one of the blackface painted actors shouts "I love you Korea!"
They're supposed to be dressed as a cartoon character.

That cartoon is extremely racist itself. You can read about it here.

And you don't get to say "Oh. That was another TV station/studio/music company that did blackface last time: they should have learned their lesson, but we can hardly be blamed..." Because you have people in your company who have been in the industry, who have been paying attention to the industry, since the last time some asshat did this. (in January)

So pull your head out of your asses Korean domestic media companies. Because your stuff gets put on Youtube, gets watched by all the expats living in Korea. Pull your heads out of your asses because a month after Girls' Generation got on Letterman, and (as is hoped) a whole bunch of new people started to pay attention to The Korean Wave, and began to be interested in Korea... here's what they see:


And that's embarrassing. Embarrassing for Korea, because some people? All they know about Korea is Girls Generation on Letterman, Hyuna's Bubble-Pop video, and now these screenshots.

Embarrassing for all the people trying to promote Korea overseas, to change and improve the image of the country.

Not all Koreans are racist. That's obvious. But Korea's media makes Korea look like a racist backwater from time to time. And with images like this, Korea's media makes Korea look like a really racist backwater.

And the Koreans who aren't racist, have to kick up a storm when this shit does happen, so that it doesn't happen again, and it doesn't take letters from the NAACP or the Simon Weisenthal Center to cause a retraction or an apology.

If this video gets pulled from Youtube (and it might), contact me. I'm in touch with the uploader, who has a copy on their computer.

Oh, but tu quoque, Roboseyo: you see, Billy Crystal wore blackface at the Oscars! Yes. He did. And he got called on it, a lot, because blackface just isn't acceptable. When "chinky eyes" got drawn on a Starbucks cup in America, it caused a bloggy firestorm. Because while America clearly hasn't solved racism (that's not how these things work anyway), America DOES talk about these things, and everyone can learn where the lines are drawn, because everybody is witness, or party, to these discussions.

It was just a little over a month ago - ONLY A FREAKING MONTH since since the last blackface fuck-up on Korean Television. (SNL Korea's blackface Dreamgirls skit). That time I was talking about the ambiguities on the radio -- why should American cultural sensitivities be suddenly forced on the entire world's media, just because someone might put something on Youtube?...

But when I look at these images, and this video... such attempts to contextualize go out the window.

Look at the video above. This is not a video that would only offend Americans sensitized to blackface. Look at these pictures. Find me an African who doesn't find that offensive. (source)



How about this music video. (Bubble Sisters were 2003. We STILL haven't learned, nine fucking years later?)


How about this fried chicken commercial. (Uploaded 2009; not sure when it aired)


This no longer strikes me as an isolated incident. This strikes me as something Korean society needs to have a soul-searching discussion about.

(source)

Because if foreigners wearing hanboks is the only acceptable way to put foreigners on TV in Korea -- either in Hanboks, or with bones in their freaking noses... Korea really, SERIOUSLY needs to talk about portraying non-Koreans in the media, in a way that treats them as humans, as adults, as thinking, feeling beings, and not just as embodiments of stereotypes,  (source)


as a validating foreign gaze,
(source)


or as pretty faces saying Korean men are handsome, Kimchi is delicious, and everything Korea is a wonderful! (Misuda accomplished more than that... but it did put otherness on display...and nobody's explained to me why the opinions of pretty, foreign women (put your emphasis on whichever of those words you choose) are more valuable than the opinions of non-pretty, or non-foreign, or non-women. I wrote about that here.


... if those are the only images foreigners get in domestic Korean media, we'll have another generation growing up who are unable to think of Korea's relationship with the world in any frame other than "us and them" and that's not a healthy attitude for a country that wants to be a global player.

The cultural argument needs consideration: last time around, I argued it's ethnocentric to say the whole world must ascribe to our values of what's offensive... but it's also ethnocentric, and just fucking disrespectful, to say "because we're a different culture, we're allowed to mock your racial/ethnic/gender identity group as much as we like. You just don't understand us." (And it's dishonest to continue hiding behind "We don't know any better" (you get to play that card once) or "You weren't the audience" (that's not how things work in the hyper-connected information age. Everybody sees everything all the time). Does Korea really want to be considered an elite/advanced nation? Then set that "Korea's still a developing country" excuse to rest and start taking ownership.

So between the type of tunnel vision that says "Everything that offends me must disappear from everywhere" and the type of tunnel vision that says "Because we don't share every aspect of your cultural history, we're allowed to brazenly continue practices that we are well aware are offensive to a lot of people" we need to find a middle ground where all involved cultures feel they're being respected. It needs to be a reciprocal conversation: not just a dictation of one media's mores to another culture, nor a flat cultural argument and a subsequent refusal to listen.

And the way to find that middle ground is to talk about it. Continually -- these kinds of discussions are never completely finished (cf: Billy Crystal), but every time we revisit the same themes, we've come a little farther, learned a little more, and are more likely to get things right. So let's talk about it. In English, and also in Korean.

Because here's what happens next: Korea's One Use Only "Get out of Jail Free" ignorance card has already been played (back in freaking 2003, when the Bubble Sisters used blackface)
Now that the free pass has already been used, every subsequent time garbage like this gets on Korean Television, or in Korean newspapers, bloggers are going to write about it. And send letters to groups like the Simon Weisenthal Center and the NAACP about it, and contact the journalists we know, and share it on facebook and twitter. And cause as much embarrassment as possible for korea, until the TV producers who say "Yeah, sure, paint her face black. It'll be funny." Stop saying that. Until the KTO has a sit-down with the chairperson of MBC and says "Stop undoing our Korea promotion work with your racist brain-sharts." Until SM Entertainment and JYP lay a little smackdown on local Korean media for making their Hallyu venture harder to achieve because instead of "K-pop? Weren't they on letterman" the initial respons becomes "Korea? Isn't that the country that still makes blackface jokes?"

And while we're here, let's not forget: there's already an anti-Hallyu backlash in Japan, and other places. As Block B discovered, it doesn't take much to get an entire nation up in arms at a percieved slight (cf: Jay Leno's dog eating joke and here), and you never know when this or that story unexpectedly goes viral. If MBC decides to mock the Thai, or Filipinos, or Vietnamese, next time their variety shows can't think of a joke, if the next target are some dirty Chinese instead of some blackface pickaninnies, that rumbling anti-Hallyu backlash could crystallize into something too big, and too angry, for an apology video to smooth over.

Korea wanted a place on the world stage. Well, now that you're here, this is what happens. Everybody watches everything, and dirty laundry gets hung out for the world to see. There are no more secret shames, so let's hope Korean TV programmers, music video producers, and the like, start treating non-Korean cultures with a little more respect and responsibility.

We haven't forgotten about you, T-ara. Don't worry.



More links:
Hitler and Anti-Semitic stuff:
Bar named Gestapo
Hitler bars.
Let's not forget the kinds of apologies Koreans have been known to demand in the face of insults to their heritage.
The Nazi Coreana ads: using Nazi symbols and Hitler references to sell cosmetics.
Explaining why Koreans suffered more than the Jews. Because it's a contest, and the people who suffered the most win.