So blogging has been sparse, but it's good to fill y'all in on some of the stuff I've been doing.
Among other things...
I took a short trip out to Gangwon province with Chris in South Korea, who is a fine human being...
We went to Gossi Cave (you can read Chris's post about it here - my pictures didn't turn out as well, though I think I gave my helmet a few more nicks than him) and you can read more about the trip here.
We hit up Wonju Wife, one of my two favorite Danielles on the entire Korean peninsula (I heard there are some awesome ones in North Korea, but I bet none of them hold a candle to my two) and had some beers, and some amazing food with them in Wonju... Danielle is hella smart, and Danielle's husband Kenny is an absolute, stellar, class act of a human being too, and he's one of the sweetest husbands I've ever seen.
We also headed up to Chiak Mountain, and encountered this scene:
But we also saw this:
Chiak Mountain
Funny, obscene statues near Wonju Wife's favorite coffee shop. No, that's not a flower vase he's holding. It's a dick.
And she's... yeah.
A roadside:
At Jangneung, I took this striking of Chris Backe trying to blend into the surrounding fall colors. He nearly matched the colors of the leaves with that shirt.
So... Shim Hyung-rae directed another movie, called "The Last Godfather" with Harvey Keitel. I'm thinking about seeing it just so I can give you the play-by-play.
looks like... quite a movie. Mr. Shim seems to be pulling a Woody Allen, and starring in the film as well.
You might remember him from Dragon Wars, or D-Wars, a monstrousity of a movie that generated a lot of buzz in Korea because he wrapped it in the Korean flag and played "Arirang" at the end.
I wrote about that patriotism run amok - and how it nearly worked, at least on the homefront, where for a week or two, his movie was above critical reproach, before people finally nodded at each other and admitted, "yah, that actually was a bad movie" -- the same way Star Wars fans spent a short few days in "New Star Wars Movie!" bliss before collectively admitting that The Phantom Menace sucked, too.
You can read that post here: "Irony and Uber-Nationalism" - it also features a youtube video at the beginning that was my first introduction to the singer Jang Sa-ik, now one of my favorite Korean artists.
Which, if you're keeping count, might be the most artful use of mitigating language I've ever encountered. Mitigating language is, of course, the art of saying things more nicely: instead of "No." We say "Sorry, I can't." because it's nicer. Instead of "Give!" we say "Sorry to bother; if you don't mind, could I just use that for a mo'?"
Well, I can't think of a nicer, gentler way to say "Ya tried hard, buddy, but it sucked, and it tanked." than "Although "Dragons Wars" set a record for a Korean film of being released in 2,277 theaters in the U.S., rumor has it that it failed to make a profit." (italics mine)
On the other hand, if somebody handed Shim Hyung-rae the keys to another film, after the monstrosity that was D-wars (and I saw it, in the theater no less: I paid my 8000 won, spent my two hours, so that I have earned the right to say it sucked the big one), at least M. Night Shyamalan can take heart, knowing that he'll probably find work again, too.
(the last airbender was a crime against art and storytelling: as a fan of the cartoon series, I might write about it sometime, but let's just say that "it was a letdown" is about tantamount to saying, "rumor has it that it failed to make a profit")
I claim no responsibility for the imagery you might encounter on these videos - for example on the mash-up post, when the only video I could find that used the mash-up song I liked, included a lot of anime panty shots. Minimize the window while it plays if you must... but the walkmen video's quite cool.
Feel free to judge the entirety of my character on whether you like or dislike one, several, or all of the artists or songs on this list. I think it gives a pretty fair sample of the variety of music I listen to, though it doesn't include any of the classical I like. The list biases towards the more mellow stuff that I like when I'm working (desk computer, you know?) When I'm out and about on my mp3 player or in the car, the stuff I choose tends to be louder, and when I'm really focusing on my work, I tend to play classical music on the mp3 player with speakers instead of having it on my desktop iTunes, so that I can't distract myself by playing around with the music selections. (White Stripes, and Sleigh Bells in particular this year, make me happy when I'm away from my desk.)
Songs (in order of listens)
Holy Holy Holy - Sufjan Stevens
4 Minute Warning - Radiohead
Lover's Day - TV on the Radio
Buriedfed - Miles Benjamin Anthony Robinson
Neighborhood #1 (Tunnels) - Arcade Fire
Keep Yourself Warm - Frightened Rabbit
Slow With Horns - Dan Deacon
Kids - MGMT
I Want to Live in a Wigwam - Cat Stevens
White Winter Hymnal - Fleet Foxes
Tytto Tanssil - Paavoharju
Donde Esta la Playa - Walkmen
In the Flowers - Animal Collective
Portland, Oregon - Loretta Lynn and Jack White
Make Everyone Happy/Mechanical Birds - Modest Mouse
1901 - Phoenix
Convinced of the Hex - Flaming Lips
Festival - Sigur Ros
Dragon's Lair - Sunset Rubdown
Scythian Empire - Andrew Bird (played on the video I made for my wife on our wedding day)
A with Living - Do Make Say Think
Once Again - Girl Talk
On the Radio - Regina Spektor
Everything is Free Now - The Tiny
Rococo Zephyr - Bill Callahan
A Case of You - Joni Mitchell (I cheated and added a 26th, because either Joni or Stan Rogers NEEDED to be on the list)
Not available on youtube: Music in her eyes - by Stan Rogers, a Canadian singer-songwriter who would have been named with Gordon Lightfoot in the Canadian folk pantheon if he hadn't died early in a crash.
So, readers, what does my list say about me, other than that I'm not much into top 40, and that I'm friggin' awesome?
Next: I love mashups. They fit with the way I envision culture working these days, where everything is mixing together and touching each other in unexpected ways, thanks to our confusing, communication society.
Every year DJ Earworm makes a year-end mash-up of the top pop songs from the year.
My personal favorite is this one, built around the etherial hook from that one Coldplay song. It just really, really works. And it features a lot of Alicia Keys, and a lot of Pink, two of my favorite voices in current top-40 pop music.
This year, there's another one: it's alright - I prefer Alicia Keys featuring prominently over Katy Perry and Key$ha, though I do like (cheesy as it is) this song: "Just the Way You Are" by Bruno Mars. I don't know if I'll join the Bruno Mars fan club and buy the t-shirt (I'd rather have this t-shirt), but this is an awesome song to have come on the radio while you're driving (which is how I first encountered it).
And, now that I've run it down a bit, here's the 2010 mash-up.
But readers if you're only watching one mash-up on this post, watch this one. This is the K-pop 2010 mashup, from mmixes' Youtube channel.
and here's the challenge:
I don't think anyone can find a genre of music that lends itself better to awesome mash-ups than K-pop. If you can think of one, with some example of mash-ups that are as awesome as this, let me know.
And here's why:
The fun of mash-ups is recognition. See how many songs you recognize from this one track by Girl Talk. Girl Talk is amazing. I don't know if Girl Talk can play a single instrument, but he can throw lines and hooks from all kinds of songs together, so that five minutes of listening touches on a billion memories of drives, dances, parties, and awesome people who played you music, and the music also rocks: it fits together, it works, and it's a musical journey that's awesome and nostalgic.
Well, the fun thing in mash-ups is putting hooks together, so that people can recognize those familiar hooks.
K-pop is all. about. hooks. Critics argue that's all it's about, and argue that if you will (some are), but when you're making a mash-up, that's beside the point, because the hooks alone matter. So go watch that K-pop mash-up I posted above: it's like listening to the best parts of the entire year of k-pop, and not having to wait through weak verses, lines of songs where "the one who dances" has to sing to get equal stage time, unneeded dance interludes, unneeded "the music stops and we're going to act out a scene that somehow involves ambulance lights" breaks, or the other three minutes of a song that only has one good hook, or any of the other excesses or filler that puts people off K-pop, and enjoy it in its purest, most concentrated state.
Only the best hooks, only the famous dance moves, only the cutest close-ups, and then it's done.
Mash-ups, baby. yeah!
What's your favorite mash-up? Put the youtube link in the comments.
